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“... of politics, where decision making is the main topic of study, continue to think in state units, Michael Lynch’s big single-volume history of Scotland must take the foreground for anyone who wishes to know about the country and its past. It is a distinguished achievement, covering from the earliest records to the present day the story of a country ...”

“... little time for the activities of his mother. Another investigation of the Queen of Scots, that by Michael Lynch and his team, is not aimed at the general reader, for it assumes a firm grasp of the main events of her life. It explores areas of less common interest: her court, her library, her use of her French jointure, her policy towards the house of ...”

“... is the theme of The Reign of James VI (2000), a collection of essays edited by Julian Goodare and Michael Lynch. The most radical suggestion has been made by Jenny Wormald, who regards James’s reign overall as a ‘triumphant success’, and any problems after 1603 as a consequence of English xenophobia and the outbreak of the Thirty ...”

“... wars’, so feminist writing about science seems to have attracted particular opprobrium. Michael Lynch, another contributor to The One Culture?, suggests that the debates about science should be seen not as a ‘war’ but rather as an adversarial legal dispute. It is a closer analogy, but not an entirely reassuring one. The rhetorical resources ...”

“... taught her first course in gay and lesbian studies to undergraduates at Amherst College and met Michael Lynch, a Canadian critic and gay activist with Aids, who introduced her to ‘the scene of gay men’s bonding . . . which at the experiential level was almost totally unknown to me’. In her next book, Epistemology of the Closet, Sedgwick wrote ...”

“... is a very delicate time,’ we are told in Frank Herbert’s novel Dune (1965), and again in David Lynch’s 1984 adaptation. None of that ‘a long time ago’ stuff, especially since we’re not talking about the past. The action takes place in the first months of the year 10191. The year is also mentioned in Denis Villeneuve’s new version, which echoes ...”

“... There​ are some fine shots of the title thoroughfare in David Lynch’s Mulholland Drive (2001), a new release from the Criterion Collection. It’s all bushes and darkness and bends in the road, various cars’ tail-lights appearing and disappearing. Anything could happen there, especially since there are some very posh residences among the shrubs ...”

“... with one thing and another I’ve sometimes felt the same way, on behalf of Mark Frost and David Lynch, about the news environment that accompanied the broadcast of Twin Peaks: The Return. I say ‘on behalf of’ because I imagine that Lynch couldn’t care less. ‘It’s good to kind of go along with your life,’ he ...”

“... later still has ‘tall Gothic windows’. The hero and narrator is an art historian called Thomas Lynch, who is perhaps a little too much like someone you might already have met. He’s been sacked for gross moral turpitude from an unnamed American college, and is excessively in love with adjectives as well as with himself: a sort of art-historical Humbert ...”

“... Victory Films. The head of distribution said it was ‘dreadful’ and refused to release it. Michael Balcon came to the rescue, and got Ivor Montagu to re-edit it. But what was wrong? Was the film too clunky or not clunky enough? Let’s look. The opening is spectacular, and very quick. We see a terrified woman’s face but not what she is terrified ...”

“... Slaton’s decision to commute the sentence and the good citizens of Marietta enforced the ‘lynch law’ he had urged against ‘the satyr-faced New York Jew’. The Leo Frank case, which occurred in the wake of the Dreyfus Affair in France and at the time of the imprisonment of the Ukrainian Jewish factory manager Mendel Beilis on a charge of ritual ...”

“... no longer want to be where he thought he was going. I don’t know whether Carruth regards David Lynch as an influence, but Lynch’s name kept coming into my mind as I tried to find a temporary shorthand for the effect of Upstream Colour. The characters are quiet, self-contained, even self-absorbed; they are consumed by a ...”

“... he did not commit; Wicked beyond Belief (1980) was followed by the release of David Cooper and Michael McMahon, also detained for a murder they did not commit. Few readers of Mr Kennedy’s latest book will finish it thinking he has spoiled his immaculate record. The reader may be left with lingering doubts about whether Hauptmann had no connection ...”

“... compressed three vertebrae but never lost consciousness. My English professor and mentor, the poet Michael Heffernan, was first down the stairs and out the door to where I had landed. I must have appeared somewhat dazed and breathless. ‘Did you hit your head?’ he kept asking once he had determined I was alive. ‘What day is it?’ ‘Who is the President ...”

“... lit with a curious violet effect. An interviewer in Diary of a Young Soul Rebel thinks of David Lynch and Hitchcock in relation to this scene, and certainly those names evoke the right sort of frozen ceriness. But there is excitement in the shot, too – a sense of sexual adventure. The mood is lyrical rather than frightening, and it is into this mood that ...”